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The Complete Poems And Collected Letters Of Adelaide Crapsey by Adelaide CrapseyThis book presents the poetry and letters of the American writer Adelaide Crapsey (1878-1914). Her best poetry deserves to be enjoyed by a larger audience, and her letters and newly discovered biographical materials reveal new charm and meaning in an intriguingly elusive character.
Crapsey did not live to see any of her mature poetry published: she received notice that her first poem had been accepted for publication only a week before she died. Posthumous editions of her Verse (in 1915, 1922, and 1934), however, brought her recognition and respect. Carl Sandburg paid her a poetic tribute. American critic Yvor Winters praised her as a minor poet of great distinction and felt that her poems remained in their way honest and acutely perceptive.
Her best work is compressed, terse, related in this respect to the work of another American poet who won posthumous recognition, Emily Dickinson. Crapsey is best known as the inventor of the cinquain, a poem of five short lines of unequal length: one-stress, two-stress, three-stress, four-stress, and one-stress. The cinquain is one of the few modern verse forms developed in English, and its brevity and characteristic thought pattern seem to have been influenced by Japanese forms. Crapseys indebtedness to Japanese poetry and her relation to Imagism have long been subjects for debate. As Winters notes, the work of Crapsey achieves more effectively than did almost any of the Imagists the aims of Imagism. The critical introduction by Professor Susan Sutton Smith examines these problems.
Much of Crapseys poetry is reticent, withdrawn, and private, and she believed strongly in the individuals right to privacy. Whatever new biographical materials reveal of her and of her relations with family and friends, however, shows a charming and courageous woman. Her courage and humor show especially well in her correspondence with her friend Esther Lowenthal and in the letters with her friend Jean Webster McKinney, author of Daddy Long-Legs, who died soon after Crapsey.
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Adelaide Crapsey: "An Unconscious Imagist". Adelaide Crapsey is remembered as the inventor of the cinquain, five unrhymed lines of varying stress, and for the distinctive compression of her best work. Editions of her poems were published in the twenties and thirties and she was praised by anthologist Louis Untermeyer as "an unconscious Imagist" and by critic Yvor Winters as "a minor poet of great distinction" , but most anthologies of American poetry published after , even those of women poets, omit her entirely. Her father became rector of St. Andrew's Church in Rochester, N.
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Adelaide Crapsey is best remembered as the inventor of the cinquain and as a poet whose compressed lyrics "are a remarkable testament of a spirit 'flashing unquenched defiance to the stars,'" as quoted in Boston Transcript. Though her mature work was published posthumously due to her untimely death at the age of thirty-six, Crapsey nevertheless spent her brief life ardently pursuing her art. Her few publications received enthusiastic acclaim. Perhaps critics were initially drawn to Crapsey because she cut a tragic figure, but in the years after her demise her popularity waned. Modern readers looking for Crapsey's work are hard-pressed to find it in any anthology printed after —even those with a women's literature focus.
Adelaide Crapsey September 9, — October 8, was an American poet. She was the third child of her parents. Their first child was a son Philip and their second child was a daughter Emily. Adelaide was baptized on November 1, in Trinity Church in New York City where her father was an assistant minister. Before Adelaide was a year old, her father became the rector of St.