We need to talk about kevin 2011
We Need to Talk About Kevin by Lionel Shriver
The gripping international bestseller about motherhood gone awry.
Eva never really wanted to be a mother - and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevins horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
We Need To Talk About Kevin (2011) International Trailer - HD
We Need to Talk About Kevin – review
That trite phrase is accurate in an almost technical sense: Ms. Tilda Swinton , who plays the anguished mother, is far too specific a screen presence to be an easy audience surrogate. Much of the queasy fascination that the film exerts is the result of her uncanny ability to play against any imaginable type. Her character, Eva Khatchadourian, is too complicated for pity, projecting a mixture of cold poise and extreme vulnerability that makes her predicament especially awful. We watch as she loses everything except her dignity, but it is precisely that noble, steely pride that places her just beyond the range of a sympathy that she would most likely refuse, in any case. What if they turn out wrong? What if they refuse to love us?
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Here, the family is not the gently glowing space where parents find the meaning in their lives, mothers do not always bond with their children, but teenagers—they kill other teenagers. We Need to Talk About Kevin. Courtesy of Oscilloscope Laboratories. What provokes discomfort is, rather, her very capacity to do so. Eva is persecuted—her property is covered in red paint, she is struck in the street—as if she, rather than her son, was really responsible for the atrocity.
Sign in. Get a quick look at the the week's trailers, including Villains , Countdown , Like a Boss , and more. Watch now. A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
W hat happens when bad children happen to good parents? Does it mean they are not, in fact, as good as they had imagined themselves to be? With these questions, British director Lynne Ramsay has created a nihilist tale of guilt and horror. Working with co-writer Rory Kinnear, she has adapted Lionel Shriver's prizewinning novel — whose much-spoofed title is now part of the language — about a woman whose teenage son Kevin has committed a Columbine-style massacre. This adaptation raises a subject which has eluded other films on the same subject, such as Gus Van Sant's Elephant or indeed Michael Moore's documentary Bowling for Columbine: the subject of the aftermath. Kevin cannot be tried as an adult.