Hummel mass in b flat score

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hummel mass in b flat score

Books by Johann Nepomuk Hummel (Author of Trio for Flute, Violoncello and Piano, Opus 78)

File Name: hummel mass in b flat
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Published 30.11.2018

Johann Nepomuk Hummel Mass in D minor

Exaltation, excitement, exhilaration — those EXs of great musical experiences — abound. It is an extended and innovative setting, almost of the theatre and Don Giovanni.
Johann Nepomuk Hummel

Mass No.1 in B-flat major, Op.77 (Hummel, Johann Nepomuk)

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His music reflects the transition from the Classical to the Romantic musical era. Hummel was born as an only child which was unusual for that period in Pressburg , Kingdom of Hungary , then a part of the Habsburg Monarchy now Bratislava, the capital of Slovakia. He was named after the Czech patron saint John of Nepomuk. The couple married just four months beforehand. Like Wolfgang Amadeus Mozart , Hummel was a child prodigy. At the age of eight, he was offered music lessons by Mozart, who was impressed with his ability. Hummel was taught and housed by Mozart for two years free of charge and made his first concert appearance at the age of nine at one of Mozart's concerts.

The resonance in the contemporary musical press upon the publication of the B flat major Mass of /17, Hummel's first Esterhazy mass, was exceptionally.
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The Masses

Organ Accompaniment sheet music. Orchestra version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo Composed by Johann Nepomuk Hummel Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. German title: Missa In B.

This online shop is using cookies to give you the best shopping experience. Thereby for example the session information or language setting are stored on your computer. Without cookies the range of the online shop's functionality is limited. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir without soloists to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material.

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